Anton Janizewski
Anton Janizewski

Ferdinand Dölberg

working is the beginning of all evil

 

Am Ende die Leerstelle

Bitte widersetzen!

Raum im Raum

26.10. – 07.12.24

 

03.06. – 08.07.23

05.02. – 11.03.22

13.06. – 31.07.20

born 1998 in Eisenach, Germany, studied fine arts until 2024 at the UdK Berlin under Prof. Thomas Zipp. Dölberg's works focus on questions about his own position within social structures, interpersonal relationships and the questioning of individuality. Fictional figures, mask-like faces and absurd body shapes, alongside changing gender identities, are the main subject of his paintings and drawings.

Ferdinand Dölberg, sie sagen es wird schon darüber gesprochen, 100 x 120 cm, Acrylic, coal, chalk on canvas, 2024

Ferdinand Dölberg, sie sagen es wird schon darüber gesprochen, 2024, 100 x 120 cm, acrylic, charcoal, chalk on canvas

Selected Works ⁘

Ferdinand Dölberg, I think that too, 2024, 70 x 60 cm, Coal, chalk, acrylic on canvas
Ferdinand Dölberg, the story of the pigeon, 2024, 120 x 150 cm, Acrylic, charcoal, chalk on canvas
Ferdinand Dölberg, the story of the pigeon, 2024, 120 x 150 cm, Acrylic, charcoal, chalk on canvas
Ferdinand Dölberg, the story of the pigeon, 2024, 120 x 150 cm, Acrylic, charcoal, chalk on canvas
Ferdinand Dölberg Bist du dir sicher wohin, 2024 Charcoal, chalk on canvas 105 × 100 cm

Ferdinand Dölberg,
I think that too, 2024
70 x 60 cm
Charcoal, chalk, acrylic on canvas

Ferdinand Dölberg
the story of the pigeon, 2024
120 x 150 cm
Charcoal, chalk, acrylic on canvas

Ferdinand Dölberg
Bist du dir sicher wohin, 2024
105 × 100 cm
Charcoal, chalk on canvas

Inquire

Inquire

Inquire

Anton Janizewski

Ferdinand Dölberg, Am Ende die Leerstelle, 2023, 210 x 280 cm, modular sliding system with charcoal and chalk on canvas

On working is the beginning of all evil ⁞

“Everything that sets people in motion has to pass through their heads. But what form it takes in this head depends very much on the circumstances. It is quite possible to be a stockbroker and a socialist at the same time,” Friedrich Engels once wrote. Ferdinand Dölberg’s work lets the mind run - and thus fits in seamlessly. Into this broken world, full of contradictory longings, identity concepts and interpretative sovereignties, collapsing societies and ambivalent simultaneities ... continue reading

 

– Hilka Dirks

Ferdinand Dölberg, Kein Ende in Aussicht, es sei denn du hilfst, 2024, 154 x 600 cm, Coal, chalk, acrylic on canvas

Ferdinand Dölberg, Kein Ende in Aussicht, es sei denn du hilfst, 2024, 154 x 600 cm, charcoal, chalk, acrylic on canvas, photo Julian Blum

External exhibitions ລ

Liminality

EY PROJECTS, Beijing, China

group show

Ferdinand Dölberg & Antony Valerian @ Wolff | Jordan, photo Alex Lutz

Ferdinand Dölberg & Antony Valerian @ Wolff | Jordan

Exhibitions at AJ ⁘

Anton Janizewski
Anton Janizewski
Anton Janizewski

Am Ende die Leerstelle

Bitte widersetzen!

Raum im Raum

Media ⁞

Anton Janizewski

Ferdinand Dölberg

working is the beginning of all evil

 

Am Ende die Leerstelle

Bitte widersetzen!

Raum im Raum

26.10. – 07.12.24

 

03.06. – 08.07.23

05.02. – 11.03.22

13.06. – 31.07.20

geboren 1998 in Eisenach, DE, studierte bis 2024 an der UDK Berlin, Bildendende Kunst bei Prof. Thomas Zipp. Die inhaltlichen Schwerpunkte Ferdinand Dölbergs Arbeiten sind Fragen zur eigenen Verortung innerhalb von sozialen Gefügen, zwischenmenschlichen Beziehungen, sowie das Hinterfragen von Individualität. Fiktive Figuren, maskenhafte Gesichter und absurde Körperformen, mit wechselnden Geschlechteridentitäten, sind Hauptgegenstand seiner Malereien und Zeichnungen.

 

Ferdinand Dölberg, sie sagen es wird schon darüber gesprochen, 100 x 120 cm, Acrylic, coal, chalk on canvas, 2024

Ferdinand Dölberg, sie sagen es wird schon darüber gesprochen, 2024, 100 x 120 cm, acrylic, charcoal, chalk on canvas

Selected Works ⁘

Ferdinand Dölberg, I think that too, 2024, 70 x 60 cm, Coal, chalk, acrylic on canvas

Ferdinand Dölberg,
I think that too, 2024
70 x 60 cm
Charcoal, chalk, acrylic on canvas

Inquire

Ferdinand Dölberg, the story of the pigeon, 2024, 120 x 150 cm, Acrylic, charcoal, chalk on canvas
Ferdinand Dölberg, the story of the pigeon, 2024, 120 x 150 cm, Acrylic, charcoal, chalk on canvas
Ferdinand Dölberg, the story of the pigeon, 2024, 120 x 150 cm, Acrylic, charcoal, chalk on canvas

Ferdinand Dölberg
the story of the pigeon, 2024
120 x 150 cm
Charcoal, chalk, acrylic on canvas

Inquire

Ferdinand Dölberg Bist du dir sicher wohin, 2024 Charcoal, chalk on canvas 105 × 100 cm

Ferdinand Dölberg
Bist du dir sicher wohin, 2024
105 × 100 cm
Charcoal, chalk on canvas

Inquire

Anton Janizewski

Ferdinand Dölberg, Am Ende die Leerstelle, 2023, 210 x 280 cm, modular sliding system with charcoal and chalk on canvas

On working is the beginning of all evil ⁞

“Everything that sets people in motion has to pass through their heads. But what form it takes in this head depends very much on the circumstances. It is quite possible to be a stockbroker and a socialist at the same time,” Friedrich Engels once wrote. Ferdinand Dölberg’s work lets the mind run - and thus fits in seamlessly. Into this broken world, full of contradictory longings, identity concepts and interpretative sovereignties, collapsing societies and ambivalent simultaneities ... continue reading

 

– Hilka Dirks

Ferdinand Dölberg, Kein Ende in Aussicht, es sei denn du hilfst, 2024, 154 x 600 cm, Coal, chalk, acrylic on canvas

Ferdinand Dölberg, Kein Ende in Aussicht, es sei denn du hilfst, 2024, 154 x 600 cm, charcoal, chalk, acrylic on canvas, photo Julian Blum

External exhibitions ລ

Liminality

EY PROJECTS, Beijing, China

group show

Ferdinand Dölberg & Antony Valerian @ Wolff | Jordan, photo Alex Lutz

Ferdinand Dölberg & Antony Valerian @ Wolff | Jordan

Exhibitions at AJ ⁘

Anton Janizewski

Am Ende die Leerstelle

Anton Janizewski

Bitte widersetzen!

Anton Janizewski

Raum im Raum

Media ⁞

Anton Janizewski